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Rolling Stones Exile
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Size: 175 MB Bitrate: 320 mp3 Found in Universe Artwork Included Greeted with decidedly mixed reviews upon its original release, Exile on Main St. Has become generally regarded as the Rolling Stones' finest album. Part of the reason why the record was initially greeted with hesitant reviews is that it takes a while to assimilate. A sprawling, weary double album encompassing rock & roll, blues, soul, and country, Exile doesn't try anything new on the surface, but the substance is new. Taking the bleakness that underpinned Let It Bleed and Sticky Fingers to an extreme, Exile is a weary record, and not just lyrically.
Rolling Stones Exile On Main Street
Jagger's vocals are buried in the mix, and the music is a series of dark, dense jams, with Keith Richards and Mick Taylor spinning off incredible riffs and solos. And the songs continue the breakthroughs of their three previous albums. No longer does their country sound forced or kitschy — it's lived-in and complex, just like the group's forays into soul and gospel. While the songs, including the masterpieces 'Rocks Off,' 'Tumbling Dice,' 'Torn and Frayed,' 'Happy,' 'Let It Loose,' and 'Shine a Light,' are all terrific, they blend together, with only certain lyrics and guitar lines emerging from the murk. It's the kind of record that's gripping on the very first listen, but each subsequent listen reveals something new.
Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones' best records, but sets a remarkably high standard for all of hard rock. 'Exile on Main St.' Is widely regarded as the Rolling Stones' masterpiece. It's also an album surrounded by so much dark myth and debauched legend that if the working conditions were really that out of control, it's a wonder it was even made. The latest re-release of this iconic album will be available Tuesday, and it's the most ambitious repackaging yet.
It includes a deluxe edition with bonus tracks, a documentary DVD and a hard-cover book, but it doesn't focus on the grungier aspects of the album. Instead, it preserves the mystery by presenting the original album intact with liner notes and documentary footage that skims the surface of just what went on in Keith Richards' villa-turned-recording-studio in the summer of 1971. The 10 previously unreleased tracks shed little new light on the past; instead most of them feature freshly overdubbed vocals by Mick Jagger, a misguided attempt to update an album that needs no updating. The good news is that the original album has never sounded better. Remastered in a way that amps up its clarity and power without sacrificing its hard-swinging griminess, 'Exile on Main St.'
Remains a towering achievement, the capstone to one of the great four-album runs in rock history (preceded by 'Beggars Banquet' in 1968, 'Let it Bleed' in 1969 and 'Sticky Fingers' in 1971). The Stones were turning into a band divided, jaded rock stars who would never be as good again, but they had one final burst of brilliance in them. The album arrived at a time when the group was the biggest rock band in the world, transformed from the Bad Boys of Swingin' '60s London ('Would you let your sister go with a Rolling Stone?'
) to jet-setting celebrities awash in drugs, sex and whatever else they craved. The decadence had set in when the Stones headed to the south of France in summer 1971 in part to flee England and a mountain of unpaid taxes due to unscrupulous management. There they all rented villas and hunted for a studio. Nothing suited their fancy as much as Keith Richards' 16-room mansion, Nellcote, on the outskirts of the Mediterranean seaport of Nice. It had a huge basement that could be converted into a performance space and the advantage of having the band's least-controllable member on premises at all times. The Stones pulled their mobile recording studio onto the property and went to work at the start of a long, hot summer.
Jagger, working with Richards and producer Don Was, says he built the vocals and lyrics for several of the new 'Exile'-era rhythm tracks from scratch, because he didn't get around to recording vocals for them in the original sessions. The only guide he had for lyrics were the sometimes fanciful working titles ('Wally's Whistling Saw'). As strong as some of the hybrid tracks are, in particular 'Plundered my Soul,' it's bound to come as a disappointment to Stones fans that so little new material from the original sessions has been uncovered.
Jagger acknowledges that the archive of outtakes is pretty extensive, but he wasn't interested in presenting alternate takes of well-known songs. As a result, we're no longer with the band in that sweaty bunker in Nellcote, but in an air-conditioned Los Angeles studio with Jagger and Don Was reassembling history to suit the needs of 2010. What's really needed is a warts-and-all look at what went down in the south of France that summer 39 years ago, with outtakes, fragments and studio chatter that show us not just the finished product but the process. By all accounts, engineers Andy and Glyn Johns had the tapes in the mobile studio rolling pretty much continuously, and Jagger and Richards were writing songs on the spot trying to keep the band well-fed with new material. The real story of this album is not the party-out-of-bounds that swirled continuously around the Stones, but how they were able to create such a masterpiece in the midst of it.
That story remains untold. The Rolling Stones exile on main st. Outtakes (((Excellent SoundQuality))) 01. Get a line on you 02.
Good time woman 03. Shake your hips 04. Hillside blues 05. Sweet virginia 06. Bent green needles 07.
Loving cup 08. Ventilator blues 09.
I aint signifying 10. Let it loose 11. All down the line 12. Travelin man 13. Stop breakiung down 14. Shine a light 15. I'm going down 1.